#DOLBY ATMOS CONTENT PRO#
Eric uses Folder Tracks in Pro Tools, to help him organise the session and for Eric colour is very important too. Underneath the processing, we get to the tracks. Next comes the processing tracks, things like reverbs, delays etc. Session Structure - 11’57”Īt the top are all the ‘maintenance type tracks.
He has it in the session so that he can quickly hear what the creatic intention of the artist was for the track as a reference.
#DOLBY ATMOS CONTENT GENERATOR#
Have The Stereo Master Mix In Your Session - 11’22”Įric always has the stereo mastered version of the track he is remixing into Dolby Atmos under the LTC Generator track at the top of the session if the track has already been released in stereo, which is often the case. That is used to deliver the content to the end-user and then the end-user’s equipment plays a version of the content suitable for the equipment attached to it. With Dolby Atmos, you deliver one master file, called a Dolby Atmos Master File (DAMF). Now, producers can create tracks that allow listeners to feel like they’re inside their favourite music. With Dolby Atmos Music, mixers have the ability to place and move sounds in a 3D environment with more precision, allowing for even more creative possibilities. This new format allows artists to push their creative boundaries. This is consumed on Blu-Rays, Pay-TV channels, as well as online streaming platforms such as Netflix, Amazon Prime Video, and Apple TV+.ĭolby Atmos Music is a new ‘object-based’ immersive audio format for music production. Following widespread theatrical adoption, this technology has filtered through into the Home Cinema environment for both film and TV content spanning drama, documentary, and live events. There have been a number of experiments in delivering music over the years in formats with higher channel counts like quad and 5.1 but none have taken off because of the need for the end-user to have special hardware.ĭolby Atmos was originally created for cinema sound. Most music is recorded and mixing for delivery in stereo. After all, what is the point in creating content in Dolby Atmos if consumers do not have the equipment to take advantage of the immersive object-based format? What Is Dolby Atmos? - 2’21” In this article, we will investigate the take-up and benefits of delivering content to the consumer in Dolby Atmos.
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